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Two Sets of Music

3rd Thursday each month @ 9pm
Rogue Buddha (map)
Free, donations appreciated.

The iQuit: Experimental Music Happenings present music that draws on the diverse styles and influences of the makers of electronic, electro-acoustic, jazz, free, avant garde, and experimental music. The Rogue Buddha Gallery provides an ideal place where musicians can explore concepts of originality and spontaneity. iQuit offers Thursday early evening performances featuring two sets of music from often differing styles/concepts.

November 20, 2008

Set One:
Badlands
Josh Peterson, guitar, electronics
Peter Leggett, drums, electronics

Set Two:
Janus Percussion
Erik Barsness, percussionist
Brian Duffy, percussionist

September 18, 2008

Set One Chris Thomson Solo Set laptop, saxophones, bass clarinet, loop pedal Randy Kramer visuals

Set Two Quintet w/ Fat Kid Wednesdays + 2 Dean Magraw guitar Chris Thomson saxophones Michael Lewis saxophones Adam Linz bass JT Bates drums

Thursday, May 17 at 9PM

Set One: Bryce Beverlin, percussion
Set Two: Chris Thomson, laptop, loops, woodwinds
Set Three: Chris McIntyre, trombone and laptop

More about Chris McIntyre: Brooklyn-based trombonist and composer Chris McIntyre’s iQuit Music Series performance is this Minnesota native’s first-ever solo set in Minneapolis. Born and raised in Mound, McIntyre moved to New York nearly 10 years ago for graduate school and subsequent professional activities. Before leaving, however, he was an active part of the mid-90’s Minneapolis music scene. He was a frequent guest of the Sensational Joint Chiefs in performance and is heard on a couple of tracks on the band’s much acclaimed LP Mornin’ Train. He was a regular participant in the weekly Fresh Squeez improv parties at The Front, and in later years, an occasional member of the Afrobeat/improv orchestra The Dijonnette’s with whom he’s heard on the Crossfaded Vol.1 release.

Featured at iQuit is his own work stuplimity no.3 for solo trombone and laptop. stuplimity no.3 continues a series of works that explores the process of temporal and sonic perception with the qualities of the trombone as the medium. The work uses an interactive software environment to capture and process sound, creating textural and thematic material that recurs throughout but in varying degrees of transformation and temporality. The work was first performed at the March MATA Festival in Brooklyn.

December 3, 2006

set 1: Nathan Hanson solo saxophone set
set 2: Volcao Insurance (Chris Bates, Luke Polipnick, Joey Phillips)

November 19, 2006

set 1: Adam Linz; Solo Bass
set 2: Special guests from Philadelphia—-> shot x shot ::
dan capecchi: percussion
matt engle: bass
bryan rogers: tenor saxophone
dan scofield: alto saxophone

Looking for more? Then head on over to the rest of the past shows.